The premise is simple - stencil small (really small) amounts of explosive paste on a wall, layer over with plaster, let it set, then go get the slo mo camera out. Setting the explosives off with a small electric current, the stencilled design is blasted from the layer of plaster, leaving the raw brick behind - magic
The final tick in the box is setting your reapeated ethereal images of floating debris to a suitably repetetive, suitably ethereal audio adventure, provided here by Orelha Negra.
It's nice to see something new in the currently stale, banksy lookalike, world of modern day fresco, but I hope it doesn't catch on - this has al-Qaeda exploded all over it
Michael Hollins